That Floating Poo Was Far Too Meaningful! It's the TV Disappointments of the Year.

Looking back, we reflect on the television offerings of the past year, a selection of series stand out not for their excellence, but for their spectacular shortcomings. From awkward sequels to bafflingly bad documentaries, here are the programmes that had us utterly bewildered or simply reaching for the remote.

And Just Like That

Where to begin with this love/hate follow-up? Plagued with dreadful scripts, cringe-inducing character development (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the series fought to justify its existence. For a moment, as the final series began, it looked like it had finally hit its stride. Then came an episode centered on Seema’s natural deodorant. Little surprise the creator declared this would be the last season. It ended on a low point; the closeup of Miranda’s loo flooded with poo was just way too symbolic. Yet, viewers certainly found joy picking apart every single “wtf?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the least of this show's issues. The recipient of a exceedingly uncommon no-star assessment, it was difficult to know where to begin listing the flaws. The laughably leaden dialogue? The tedious glorification of wealth and consumption? The seemingly wilful procession of cliches? Performances so poor they felt almost spiteful? Let’s just say “each and every one” and forget about this show again. However, a new season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, abuse allegations and parental shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d truly have known it from this three-part docuseries which chuckled along at Sheen’s various bouts of reckless excess while struggling to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any sympathy this series might evoke should be saved for the people who have had to suffer close contact with this charismatic but flippant egotist.

The Iris Affair

Of course we understood it was ridiculous from the outset: a drama about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of pure admiration for its stars 
 but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up hacking Charlie with an axe 
 in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy characters meeting in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t suffer the embarrassment of having to indulge baffling dialects. But there were many other issues. Mainly that it was just profoundly dull; a conflict over drug-selling territory between various cockney picaresques which seemed rather simplistic.

With Love, Meghan

Considering the extent to which she provokes the ire of certain performatively enraged commentators, it’s temptingly easy to admire the Duchess of Sussex’s televised ventures into quaint homemaking as deliberate statements. But then you watch them and are compelled to concede that actually, they may have a point. It’s like watching a homeware catalogue come to life; a meme for wine o’clock with delusions of grandeur; a procession of sleeping dogs, humming beehives, sentimental platitudes and pointless crafting “hacks” you’ll forget instantly. All underpinned by vast, mostly unearned wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about both Victoria Beckham and her journey with career, self-image, self-acceptance. But for some reason, this three-part series chose not to explore them. Instead, the viewing was akin to consuming a sales catalogue. She obviously has good reason to bridle at what she describes as her “stern” image. But sadly, she failed to do herself any favours with this cagey letdown of a series.

The Inheritance

It should have been the next big hit – except even more extravagant, with a glamorous star playing dead and a well-known personality overseeing her estate. What more could you want? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too confusing to explain what exactly was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The series ended up smelling of a programme that was trying way too hard to live up to something way beyond it.

Too Much

How do you follow a show that captured a generation? The expectation was immense for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The star took her biggest role by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very slick and, paradoxically, was insufficient. Plus, the sheer amount of famous friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the shrewd recruitment of gifted younger comics, hopes were high. But sadly, most of it didn’t land. A particular sketch was a one-note joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, in contrast, simply inspired the thought that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this was not it. The material needed to be handled with care. Rather, the series struggled painfully to find the right tone, lurching from oddly jaunty, slightly mannered farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We love the lead actor 
 but did we believe him playing the greatest maths genius since, a man so smart he’s on the verge of a breakthrough that could ruin society? Nope! This international thriller about secret services targeting – and killing off – academics honestly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the online personality notorious for explicit escapades as she prepared for her most extreme challenge yet. What on earth would possess her? What we wanted was far greater interrogation of her actual psychology, plus those of the men in the queue. They could at least have spoken to the legendary mum who appeared to haul her son out of the queue. What we got was horrific shots and absolutely no interrogation of her notoriety whatsoever. And to think, the filmmaker has a young daughter too.

Jessica Robbins
Jessica Robbins

Felix Weber is a digital marketing strategist with over 10 years of experience, specializing in SEO and data-driven campaigns for German SMEs.